{"product_id":"late-autumn-original-score-lp","title":"(PRE-ORDER) [LATE AUTUMN \/ 만추] ORIGINAL SCORE LP","description":"\u003ch4\u003e[LATE AUTUMN \/ 만추] ORIGINAL SCORE LP\u003c\/h4\u003e\n\n\u003cp\u003eRelease Date: September 3, 2026\u003c\/p\u003e\n\n\n\u003cp\u003eContents (per version):\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLP\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong data-stringify-type=\"bold\"\u003e*** IF YOU INCLUDE NON-PRE-ORDER ITEMS IN A CART WITH PRE-ORDER ITEMS, NON-PRE-ORDER ITEMS WILL BE SHIPPED ALL TOGETHER ON THE LATEST RELEASE DATE. ***\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePre-order items are scheduled to be officially released in near future. You can place orders for these products in advance before the items and any pre-order benefits run out of stock.\u003c\/p\u003e\n\u003cp\u003ePre-orders will be fulfilled in the order of receipt as the corresponding item is officially released. You will be notified if the official release schedule changes.\u003c\/p\u003e\n\n\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eDepending on versions, contents (cover, photo book, mini book, photo cards, posters, etc.) in the official album package may vary.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAll products are officially distributed \u003cstrong\u003eBRAND NEW\u003c\/strong\u003e and \u003cstrong\u003eFACTORY SEALED\u003c\/strong\u003e packages.\u003c\/p\u003e\n\u003cp\u003eYour purchase quantity will count towards \u003cstrong\u003eHANTEO\u003c\/strong\u003e, \u003cstrong\u003eCIRCLE (GAON)\u003c\/strong\u003e and \u003cstrong\u003eBILLBOARD\u003c\/strong\u003e Charts.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e[Track List]\u003c\/p\u003e\n\u003cp\u003eDISK(CD) 1.\u003cbr\u003e01. 7년만의 외출\u003cbr\u003e02. 시애틀행 버스\u003cbr\u003e03. 동행\u003cbr\u003e04. 안개\u003cbr\u003e05. 유니온 스테이션\u003cbr\u003e06. 어색한 만남\u003cbr\u003e07. 훈 \u0026amp; 겨울\u003cbr\u003e08. 놀이공원\u003cbr\u003e09. 판타지\u003cbr\u003e10. 하오, 하이\u003cbr\u003e11. 장례식장\u003cbr\u003e12. 에나의 테마\u003cbr\u003e13. Shall We Go\u003cbr\u003e14. 만추 테마\u003cbr\u003e15. 훈의 부재\u003cbr\u003e16. 되돌아 가는 길\u003cbr\u003e17. Kiss [Feat. Birthstone]\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eDescription (Translated):\u003c\/h4\u003e\n- 2026 Prism Sound Mastering\u003cbr\u003e - High-quality transparent clear vinyl\u003cbr\u003e - Pre-order Limited Production Edition\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e With slow breathing… I woke up the dead time.\u003cbr\u003e The breath-like score contained in the movie *Late Autumn*\u003cbr\u003e Late Autumn OST \u0026amp; Special Tracks\u003cbr\u003e\u003cbr\u003e Winter is coming. Autumn is passing.\u003cbr\u003e A Chinese-American woman serving a prison sentence for murder\u003cbr\u003e Anna (Tang Wei) takes her first vacation in seven years, and it just so happens to be at this time.\u003cbr\u003e And the place she has to go, of all places, is a city covered in rain and fog.\u003cbr\u003e It is Seattle. Actually, Anna wasn't looking forward to the vacation.\u003cbr\u003e Her body was the first to know the aversion to the world outside the prison.\u003cbr\u003e There is. The earrings I put on for the first time in a long while left an itch,\u003cbr\u003e The phone call from the prison that came in as soon as I changed into new clothes was\u003cbr\u003e It wakes her from her daydream.\u003cbr\u003e Late Autumn follows a female model prisoner on vacation, but\u003cbr\u003e She actually seems to have no time to enjoy this vacation.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Her time started moving again.\u003cbr\u003e\u003cbr\u003e Director Lee Man-hee's *Late Autumn* and its remake by Kim Tae-yong\u003cbr\u003e The director's *Late Autumn* is set in the same season, but\u003cbr\u003e It contains seasons of different mental images. (Because it cannot be seen)\u003cbr\u003e In Director Lee Man-hee's *Late Autumn* (confirmed through the script)\u003cbr\u003e Autumn still holds plenty of sunshine and cool breezes.\u003cbr\u003e However, Kim Tae-yong's autumn is just damp and bleak.\u003cbr\u003e\u003cbr\u003e The late autumn scenery captured in the film is none other than that of 40 years ago\u003cbr\u003e Hyerim (Moon Jung-sook) and Anna (Tang Wei) as seen through her eyes 40 years later\u003cbr\u003e It must be the world. They suffered similar wounds, but\u003cbr\u003e They each chose a different method of healing.\u003cbr\u003e\u003cbr\u003e To Hyerim, a newspaper for the stranger sleeping curled up\u003cbr\u003e With a relaxed attitude and accepting his proposal with curiosity\u003cbr\u003e\u003cbr\u003e Although she has that much longing, Anna is completely cut off from all stimulation.\u003cbr\u003e Blocking my senses, just pretending to be dead while suppressing my feelings\u003cbr\u003e That is all.\u003cbr\u003e The fact that the nature of the vacations Hyerim and Anna had was different\u003cbr\u003e It will have to be explained. Hyerim's vacation received as a model prisoner\u003cbr\u003e If it were a reward, Anna’s vacation would be an unwanted outing.\u003cbr\u003e\u003cbr\u003e The truth is, Anna stopped her clock and nothing happened\u003cbr\u003e I have lived well without getting up.\u003cbr\u003e Then one day, her mother's death leads to Anna's vacation.\u003cbr\u003e It is still raining in the neighborhood I visited for the first time in seven years, and\u003cbr\u003e The fussiness of my family, whom I haven't seen in a long time, feels unfamiliar.\u003cbr\u003e Just when he was wondering if he had to go back to prison, a man\u003cbr\u003e It appears.\u003cbr\u003e He, who looks like a host bar employee at first glance, is the customer's\u003cbr\u003e This is Hoon (Hyun Bin) running away from his husband.\u003cbr\u003e He borrowed money for the bus fare from Anna and left his watch in return.\u003cbr\u003e The moment Hoon's watch was placed on Anna's wrist, her watch\u003cbr\u003e It starts moving again.\u003cbr\u003e\u003cbr\u003e A woman is released from prison. She meets a man. And\u003cbr\u003e \"Returning.\" Regarding the three propositions of the original work\u003cbr\u003e Director Kim Tae-yong, who wrote the screenplay, has little interest in romance.\u003cbr\u003e It seems as though there isn't one. He is a woman with a terrible wound\u003cbr\u003e Not knowing one's own wounds (and not even trying to know them!),\u003cbr\u003e Carefully observe the changes while meeting the man.\u003cbr\u003e\u003cbr\u003e Anna is like another woman that Director Kim Tae-yong has portrayed.\u003cbr\u003e She carries a wound. Cha-eun from the short story *Running Cha-eun* and\u003cbr\u003e Seon-gyeong, Mira, and Mu-shin from *The Birth of a Family*. *Whispering Corridors 2*\u003cbr\u003e Up to Hyoshin (Park Ye-jin) from \u0026lt;Story\u0026gt;.\u003cbr\u003e Their lovers (longtime lovers. Male or female classmates.\u003cbr\u003e Or a very young man or younger brother) are all the same\u003cbr\u003e He was so weak and cowardly that he left them.\u003cbr\u003e And they some meeting, or some journey, or some\u003cbr\u003e Achieves miracles of healing through conversation. Nationality and language\u003cbr\u003e In the meeting of different men and women in a foreign space in \u0026lt;Late Autumn\u0026gt;\u003cbr\u003e The desire for a miracle will be even more fervent.\u003cbr\u003e\u003cbr\u003e Anna and Hoon spend the day playing various games.\u003cbr\u003e Of course, the one suggesting the game is the man.\u003cbr\u003e\u003cbr\u003e Hoon pretends to be a married couple to find out Anna's name, and her\u003cbr\u003e Put them in a bumper car and drive together.\u003cbr\u003e\u003cbr\u003e Anna's expressionless face showed slightly different expressions each time\u003cbr\u003e It builds. What the movie tries to draw out from Anna through Hoon is\u003cbr\u003e It looks like her expression.\u003cbr\u003e\u003cbr\u003e From the beginning to the end of the story, Anna had various\u003cbr\u003e Shock therapy is prescribed. I briefly look at the bus on the way home.\u003cbr\u003e Anna, who was attaching it, opens her eyes at the sound of Hoon hitting the bus.\u003cbr\u003e Anna, who tried to have sex with Hoon as if to break her down\u003cbr\u003e Rather, he recoils in surprise at Hoon's touch.\u003cbr\u003e Anna and Hoon, wandering around an abandoned amusement park, went on a ghost tour\u003cbr\u003e I am even more surprised by the people who came here saying they would do it.\u003cbr\u003e\u003cbr\u003e If only I could capture the moment when a heart opens on camera...\u003cbr\u003e\u003cbr\u003e The miracle of an encounter happens only after such stimulation is added upon and added\u003cbr\u003e They wake up. Anna and Hoon, who were riding bumper cars, are another\u003cbr\u003e I look at the two men and women as if in a play.\u003cbr\u003e Hoon added a voice to their mouths, and the man trying to break up\u003cbr\u003e It depicts the conversation of a woman trying to win him back.\u003cbr\u003e Hoon said, “That’s not love. It’s just a memory and an obsession.”\u003cbr\u003e After saying that, trying to match the next line to the woman's lips\u003cbr\u003e In an instant, Anna interrupts. “Don’t look at me like that.”\u003cbr\u003e \"Why have you changed like that?\" Anna pleads with the man.\u003cbr\u003e Her voice grew increasingly agitated, carrying her story, and Anna\u003cbr\u003e Eventually, he even fakes tears. At this moment, the man of the 'stage' again\u003cbr\u003e He runs to the woman and dances with her.\u003cbr\u003e\u003cbr\u003e This scene is a mother's love from Director Kim Tae-yong's previous work.\u003cbr\u003e When realizing it belatedly or announcing the birth of a new family member\u003cbr\u003e (*The Birth of a Family*), the mother who was only ashamed one day\u003cbr\u003e The one that appeared when they became best friends (\u0026lt;Running Cha-eun\u0026gt;).\u003cbr\u003e It is a different aspect from fantasy.\u003cbr\u003e Their dance, which seems out of place at first glance, is the director's wish\u003cbr\u003e No, it is Anna's true feelings.\u003cbr\u003e Anna suddenly starts running, and only after stopping does she\u003cbr\u003e He shares his story.\u003cbr\u003e\u003cbr\u003e The story that started in English turns into Chinese.\u003cbr\u003e At this point, Hoon, who couldn't understand Chinese, used his wits.\u003cbr\u003e Answer with 'hao' (good) and 'hwai' (bad).\u003cbr\u003e The conversations of those who transcend the limits of language resonate deeply.\u003cbr\u003e\u003cbr\u003e Communication without lengthy explanations and clear understanding\u003cbr\u003e It is the director's belief that it is possible, and the story of \u0026lt;Late Autumn\u0026gt;\u003cbr\u003e It must be a fantasy that you truly desire.\u003cbr\u003e\u003cbr\u003e Also, the exoticism revealed by overseas locations and foreign actors\u003cbr\u003e Not consumed merely as a strategy for global projects\u003cbr\u003e It is a scene likely to be recorded as an exemplary case.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Late Autumn presents monotonous episodes with a slow pace\u003cbr\u003e It is a continuing film. But it is a strangely captivating movie that you cannot take your eyes off.\u003cbr\u003e It is also a movie that displays spectacle.\u003cbr\u003e Director Kim Tae-yong said, “Someone’s heart unknowingly\u003cbr\u003e Trying to capture the very heart of the moment it opens on camera\u003cbr\u003e \"I wanted to,\" he said.\u003cbr\u003e\u003cbr\u003e At this time, the scenery of Seattle drenched in rain and fog and Tang Wei's\u003cbr\u003e The haggard face depicts the substance of the concept of 'mind'\u003cbr\u003e It functions as a canvas.\u003cbr\u003e\u003cbr\u003e Hoon, who doesn't know that Anna was born and raised in Seattle\u003cbr\u003e He volunteers to be her tour guide. Unintentionally, Hoon\u003cbr\u003e The Seattle reflected in Anna's eyes the moment she followed her was no longer\u003cbr\u003e It is not a neighborhood familiar to him.\u003cbr\u003e In this place enveloped in damp air, the sound of ducks suddenly\u003cbr\u003e Ridiculous tour buses are driving around urging you to pay,\u003cbr\u003e The sunlight shines on the restaurant they visited.\u003cbr\u003e\u003cbr\u003e As Seattle clears away the rain and fog, her real vacation,\u003cbr\u003e It is as if the real journey is beginning.\u003cbr\u003e The game suggested by Hoon at this time, and the surrounding situation including Hoon\u003cbr\u003e Depending on the stimulation applied to Anna, Tang Wei's face\u003cbr\u003e Within the category of 'expressionless,' one makes countless facial expressions.\u003cbr\u003e The two men and women who spent the day together must now go their separate ways.\u003cbr\u003e When doing so, Hoon says, “Smile. I love your smiling face\u003cbr\u003e \"It's good.\" Director Kim Tae-yong's directing is just as good for the audience as it is for Hoon.\u003cbr\u003e I earnestly hoped for a smile to show on her face\u003cbr\u003e Makes\u003cbr\u003e\u003cbr\u003e Director Kim Tae-yong said, “Before and after the dialogue, before and after the incident, etc.\u003cbr\u003e From a cinematic perspective, the essence lies in dead time.\u003cbr\u003e \"It was the same,\" he said. In other words, *Late Autumn* is what the audience wants and\u003cbr\u003e It is a movie that you see as much as you wait.\u003cbr\u003e Anna clearly laughs, is surprised, pauses, and feels sad.\u003cbr\u003e\u003cbr\u003e Tang Wei's face is bringing the dead time of the movie back to life.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The moment she smiled\u003cbr\u003e\u003cbr\u003e Lee Man-hee's *Late Autumn* is the short and poignant love between a man and a woman\u003cbr\u003e If it were a love story, Kim Tae-yong’s *Late Autumn* is about a woman enduring\u003cbr\u003e It is a movie that depicts a day.\u003cbr\u003e In other words, until Anna's senses return,\u003cbr\u003e So a new expression appeared on her expressionless face\u003cbr\u003e It describes the process leading up to its appearance.\u003cbr\u003e So, unlike the original work where the single day felt cruel,\u003cbr\u003e There is no timer for Anna and Hoon's meeting.\u003cbr\u003e The movie shared a certain emotion that could be love, or it might not be.\u003cbr\u003e I don't even expect how the two men and women will live now\u003cbr\u003e does not.\u003cbr\u003e The camera that had been persistently following Anna's face finally\u003cbr\u003e The moment her smile was captured, a woman's time stopped\u003cbr\u003e This is because I am filled with the mere certainty that it has started flowing again.\u003cbr\u003e The memory of the day they spent is not regrettable because it was short, but,\u003cbr\u003e It is a gift given in itself.\u003cbr\u003e\u003cbr\u003e - Kang Byeong-jin -\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e [Important Notes for LP Purchases]\u003cbr\u003e\u003cbr\u003e ※ Jacket\/Contents\/Packaging Condition\u003cbr\u003e 1) Please note that minor jacket wrinkles, corner dents, cracks, etc., other than obvious playback defects, are not eligible for return or exchange.\u003cbr\u003e 2) The inner slab may crack due to contact with the disc, but this is not eligible for return or exchange.\u003cbr\u003e 3) The disc label may not be attached smoothly due to the manufacturing process.\u003cbr\u003e 4) Damage to the outer packaging film that is not defective to the product itself is not eligible for exchange or return.\u003cbr\u003e\u003cbr\u003e ※ Playback failure\u003cbr\u003e 1) If you are using a turntable without a tonearm or weight adjustment function (mainly all-in-one models), skipping may occur when playing tracks with large variations in dynamic sound, which is mostly caused by the light weight of the tonearm.\u003cbr\u003e Returns or exchanges are not available for playback issues caused by device problems, so we recommend playing the recording on a device with adjustable tonearms.\u003cbr\u003e 2) Discs may not play smoothly due to static electricity and dust. This can usually be resolved by removing them with a dedicated product.\u003cbr\u003e 3) Playback may not be smooth if dust accumulates on the needle.\u003cbr\u003e\u003cbr\u003e ※ Disk abnormality\u003cbr\u003e 1) The disc surface may be uneven or warped. Returns or exchanges are only accepted if there is a playback issue.\u003cbr\u003e 2) In some cases, the center hole diameter of the disc is manufactured to be small to minimize distortion of the playback range and maintain maximum consistency even during repeated playback. If it does not fit the turntable spindle, the issue can be resolved by adjusting the center hole using a dedicated product.\u003cbr\u003e 3) Occasionally, there may be minor scratches on the disc or the finish may not be clean. Returns or exchanges are only accepted if there is a playback issue.\u003cbr\u003e\u003cbr\u003e ※ Color disc\u003cbr\u003e 1) The actual color of the color disc may differ from the web image.\u003cbr\u003e 2) Due to the nature of color discs, there may be color differences between albums during the production process.\u003cbr\u003e 3) Color discs may contain small dots or other color dyes that occurred during the manufacturing process.\u003cbr\u003e\u003cbr\u003e ※ Exchange\/Return Information\u003cbr\u003e 1) For exchange\/return requests due to obvious defects, please contact the customer center by attaching photos and videos verifying the defect, along with the model name of the playback device.\u003cbr\u003e 2) Since LP jackets are highly susceptible to damage during frequent shipping and are difficult to resell, returns due to mistaken purchases or a change of mind are not accepted. Please make your purchase carefully.\u003cbr\u003e\u003cbr\u003e\n\n\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eDescription (Original):\u003c\/h4\u003e\n- 2026 프리즘사운드 마스터링\u003cbr\u003e\n- 고음질 투명클리어반\u003cbr\u003e\n- 프리오더 한정 제작반\u003cbr\u003e\n\u003cbr\u003e\n\u003cbr\u003e\n\n느린 호흡으로… 죽어 있던 시간을 깨웠습니다.\u003cbr\u003e\n영화 \u0026lt;만추\u0026gt;에 담긴 숨결 같은 스코어\u003cbr\u003e\n만추 OST \u0026amp; Special tracks\u003cbr\u003e\n\u003cbr\u003e\n겨울이 온다. 가을은 가고 있다.\u003cbr\u003e\n살인죄로 복역 중이던 중국계 미국인 여성\u003cbr\u003e\n애나(탕웨이)가 7년 만에 나온 휴가는 하필 이때다.\u003cbr\u003e\n그녀가 가야 하는 곳은 또 하필 비와 안개로 뒤덮인 도시\u003cbr\u003e\n시애틀이다. 사실 애나는 휴가를 고대하지 않았다.\u003cbr\u003e\n교도소 밖 세상에 대한 거부감은 그녀의 몸이 먼저 알고\u003cbr\u003e\n있다. 오랜만에 꽂아본 귀걸이는 가려움을 남기고,\u003cbr\u003e\n새 옷으로 갈아입자마자 걸려온 교도소의 전화는\u003cbr\u003e\n그녀의 공상을 깨워버린다.\u003cbr\u003e\n\u0026lt;만추\u0026gt;는 어느 여성 모범수의 휴가를 따라붙지만,\u003cbr\u003e\n정작 그녀는 이 휴가를 즐길 여유가 없는 듯 보인다.\u003cbr\u003e\n\u003cbr\u003e\n\u003cbr\u003e\n그녀의 시간이 다시 움직이기 시작했다.\u003cbr\u003e\n\u003cbr\u003e\n이만희 감독의 \u0026lt;만추\u0026gt;와 이를 리메이크한 김태용\u003cbr\u003e\n감독의 \u0026lt;만추\u0026gt;는 같은 계절을 배경으로 하지만,\u003cbr\u003e\n서로 다른 심상의 계절을 담고 있다. (볼 수 없기 때문에\u003cbr\u003e\n시나리오로 확인한) 이만희 감독의 \u0026lt;만추\u0026gt; 속에서의\u003cbr\u003e\n가을은 아직은 많은 햇빛과 시원한 바람을 품고 있다.\u003cbr\u003e\n그러나 김태용의 가을은 그저 축축하고 을씨년스럽다.\u003cbr\u003e\n\u003cbr\u003e\n영화가 담고 있는 늦가을의 풍경은 곧 40년 전의\u003cbr\u003e\n혜림(문정숙)과 40년 이후 애나(탕웨이)의 눈에 비친\u003cbr\u003e\n세상일 것이다. 그들은 비슷한 상처를 겪었지만\u003cbr\u003e\n각기 다른 치유의 방식을 선택했다.\u003cbr\u003e\n\u003cbr\u003e\n혜림에게는 쪼그려 자는 낯선 남자에게 신문지를\u003cbr\u003e\n덮어주는 여유와 그의 제안을 호기심으로 받아들일\u003cbr\u003e\n\u003cbr\u003e\n만큼의 갈망이 있지만, 애나는 아예 모든 자극으로부터\u003cbr\u003e\n감각을 차단한 채, 그저 죽어 있는 척 삭이고 있을\u003cbr\u003e\n뿐이다.\u003cbr\u003e\n혜림과 애나가 맞이한 휴가의 성격이 다르다는 것도\u003cbr\u003e\n설명해야 할 것이다. 혜림의 휴가가 모범수로서 받은\u003cbr\u003e\n상이었다면, 애나의 휴가는 원치 않았던 외출이다.\u003cbr\u003e\n\u003cbr\u003e\n사실인 즉 애나는 자신의 시계를 멈추고 아무런 일도\u003cbr\u003e\n일어나지 않는 채로 잘 살아왔다.\u003cbr\u003e\n그러던 어느 날 엄마의 죽음이 애나의 휴가를 초래한다.\u003cbr\u003e\n7년 만에 찾아온 동네에는 여전히 비가 내리고,\u003cbr\u003e\n간만에 만난 가족의 호들갑은 낯설다.\u003cbr\u003e\n다시 교도소로 돌아가야 할까 싶을 때, 한 남자가\u003cbr\u003e\n나타난다.\u003cbr\u003e\n언뜻 호스트바 종업원으로 보이는 그는 손님의\u003cbr\u003e\n남편에게 쫓겨 도망치는 훈(현빈)이다.\u003cbr\u003e\n애나에게 차비를 빌린 그는 그 대신 시계를 맡긴다.\u003cbr\u003e\n훈의 시계가 애나의 손목에 걸쳐진 순간, 그녀의 시계가\u003cbr\u003e\n다시 움직이기 시작한다.\u003cbr\u003e\n\u003cbr\u003e\n“여자가 감옥에서 나온다. 한 남자를 만난다. 그리고\u003cbr\u003e\n다시 돌아간다.” 원작이 가진 세 가지 명제를 놓고\u003cbr\u003e\n시나리오를 쓴 김태용 감독은 로맨스에는 별 관심이\u003cbr\u003e\n없는 듯 보인다. 그는 지독한 상처를 가진 한 여자가\u003cbr\u003e\n자신의 상처를 모르는(게다가 알려고 하지도 않는!),\u003cbr\u003e\n남자를 만나는 동안의 변화를 주의 깊게 관찰한다.\u003cbr\u003e\n\u003cbr\u003e\n애나는 김태용 감독이 그려온 다른 여성과도 같은\u003cbr\u003e\n상처를 지니고 있다. 단편 \u0026lt;달리는 차은\u0026gt;의 차은이와\u003cbr\u003e\n\u0026lt;가족의 탄생\u0026gt;의 선경과 미라, 무신. \u0026lt;여고괴담 두번째\u003cbr\u003e\n이야기\u0026gt;의 효신(박예진)까지.\u003cbr\u003e\n그녀들의 연인들(오래된 연인. 동급생 남자 또는 여자.\u003cbr\u003e\n혹은 아주 어린 남자이거나 남동생)은 하나같이\u003cbr\u003e\n나약하고 비겁하다 못해 그녀들을 떠났다.\u003cbr\u003e\n그리고 그들은 어떤 만남, 혹은 어떤 여행, 또는 어떤\u003cbr\u003e\n대화를 통해 치유의 기적을 이뤄낸다. 국적과 언어가\u003cbr\u003e\n다른 남녀가 이국의 공간에서 갖는 \u0026lt;만추\u0026gt;의 만남에는\u003cbr\u003e\n기적에 대한 바람이 더욱 간절할 것이다.\u003cbr\u003e\n\u003cbr\u003e\n애나와 훈은 여러 가지 놀이로 하루를 보낸다.\u003cbr\u003e\n놀이를 제안하는 쪽은 물론 남자다.\u003cbr\u003e\n\u003cbr\u003e\n훈은 부부를 가장해 애나의 이름을 알아내고, 그녀를\u003cbr\u003e\n범퍼카에 태우고, 함께 달린다.\u003cbr\u003e\n\u003cbr\u003e\n무표정한 애나의 얼굴은 그때마다 조금씩 다른 표정을\u003cbr\u003e\n짓는다. 영화가 훈을 통해 애나에게서 끌어내려는 것이\u003cbr\u003e\n그녀의 표정인 듯 보인다.\u003cbr\u003e\n\u003cbr\u003e\n이야기의 처음부터 끝까지 애나에게는 여러 가지\u003cbr\u003e\n충격요법이 처방된다. 집으로 가는 버스에서 잠시 눈을\u003cbr\u003e\n붙이던 애나는 훈이 버스를 치는 소리에 눈을 뜬다.\u003cbr\u003e\n자신을 무너뜨리려는 듯 훈과 섹스를 하려 했던 애나는\u003cbr\u003e\n오히려 훈의 손길에 소스라친다.\u003cbr\u003e\n폐관된 놀이공원을 배회하던 애나와 훈은 유령관광을\u003cbr\u003e\n하겠다고 이곳을 찾은 사람들 때문에 더 크게 놀란다.\u003cbr\u003e\n\u003cbr\u003e\n마음이 열리는 순간을 카메라에 담을 수 있다면...\u003cbr\u003e\n\u003cbr\u003e\n만남의 기적은 그런 자극이 더해지고 더해진 뒤에야\u003cbr\u003e\n일어난다. 범퍼카를 타던 애나와 훈은 또 다른\u003cbr\u003e\n두 남녀의 모습을 연극처럼 바라본다.\u003cbr\u003e\n훈은 그들의 입에 목소리를 덧입혀 헤어지려는 남자와\u003cbr\u003e\n그를 다시 잡으려는 여자의 대화를 묘사한다.\u003cbr\u003e\n훈이 “그건 사랑이 아니야. 추억이고 집착일 뿐이지”\u003cbr\u003e\n라고 말한 뒤, 여자의 입에 다음 대사를 맞추려는\u003cbr\u003e\n찰나에 애나가 끼어든다. “날 그런 눈으로 보지 말아요.\u003cbr\u003e\n왜 그렇게 변한 건가요?” 남자에게 간청하는 애나의\u003cbr\u003e\n목소리는 그녀의 사연을 담아 점점 격양되고, 애나는\u003cbr\u003e\n급기야 눈물까지 연기한다. 이때 '무대'의 남자가 다시\u003cbr\u003e\n여자에게 달려가 함께 춤을 춘다.\u003cbr\u003e\n\u003cbr\u003e\n이 장면은 김태용 감독의 전작에서 엄마의 사랑을\u003cbr\u003e\n뒤늦게 깨닫거나 새로운 가족의 탄생을 알릴 때\u003cbr\u003e\n(\u0026lt;가족의 탄생\u0026gt;), 창피하기만 했던 엄마가 어느 날\u003cbr\u003e\n절친한 친구가 됐을 때(\u0026lt;달리는 차은\u0026gt;) 등장했던\u003cbr\u003e\n판타지와는 또 다른 양상이다.\u003cbr\u003e\n언뜻 생뚱맞아 보이는 그들의 춤은 감독의 바람이\u003cbr\u003e\n아니라 애나의 속마음이다.\u003cbr\u003e\n애나는 갑자기 뛰기 시작하고, 달리기를 멈춘 뒤 그제야\u003cbr\u003e\n자신의 사연을 털어놓는다.\u003cbr\u003e\n\u003cbr\u003e\n영어로 시작한 이야기는 중국어로 변한다.\u003cbr\u003e\n이때 중국어를 알아듣지 못하는 훈은 눈치껏\u003cbr\u003e\n'하오'(좋다)와 '화이'(나쁘다)로 대답한다.\u003cbr\u003e\n언어의 한계를 넘어서는 이들의 대화는 깊게 울린다.\u003cbr\u003e\n\u003cbr\u003e\n구구절절한 설명과 뚜렷한 이해 없이도 소통이\u003cbr\u003e\n가능하다는 감독의 믿음이자, \u0026lt;만추\u0026gt;의 이야기가\u003cbr\u003e\n진정 바라고 있는 판타지일 것이다.\u003cbr\u003e\n\u003cbr\u003e\n또한 해외 로케이션과 외국 배우가 드러내는 이국성을\u003cbr\u003e\n글로벌 프로젝트의 전략으로만 소모시키지 않은\u003cbr\u003e\n모범사례로 기록될 법한 장면이다.\u003cbr\u003e\n\u003cbr\u003e\n\u003cbr\u003e\n\u0026lt;만추\u0026gt;는 단조로운 에피소드를 느린 호흡으로\u003cbr\u003e\n이어가는 영화다. 하지만 눈을 뗄 수 없는 묘한\u003cbr\u003e\n스펙터클을 전시하는 영화이기도 하다.\u003cbr\u003e\n김태용 감독은 “누군가의 마음이 자신도 모르게\u003cbr\u003e\n열리는 순간, 그 마음 자체를 카메라에 담아보고\u003cbr\u003e\n싶었다”고 말했다.\u003cbr\u003e\n\u003cbr\u003e\n이때 비와 안개에 젖은 시애틀의 풍경과 탕웨이의\u003cbr\u003e\n쇠잔한 얼굴은 '마음'이란 개념의 실체를 그리는\u003cbr\u003e\n캔버스로 기능한다.\u003cbr\u003e\n\u003cbr\u003e\n애나가 나고 자란 곳이 시애틀인 줄 모르는 훈은\u003cbr\u003e\n그녀에게 관광가이드를 자처한다. 무심코 훈을\u003cbr\u003e\n따라나선 순간 애나의 눈에 비친 시애틀은 더 이상\u003cbr\u003e\n자신에게 익숙한 동네가 아니다.\u003cbr\u003e\n눅눅한 공기에 휩싸여 있던 이곳에 갑자기 오리 소리를\u003cbr\u003e\n내라고 종용하는 우스꽝스러운 관광버스가 다니고,\u003cbr\u003e\n그들이 찾아간 레스토랑에는 햇살이 비춘다.\u003cbr\u003e\n\u003cbr\u003e\n시애틀이 비와 안개를 걷어내면서 그녀의 진짜 휴가,\u003cbr\u003e\n진짜 여행이 시작되는 셈이다.\u003cbr\u003e\n이때 훈이 제안한 놀이, 훈을 비롯한 주변 상황이\u003cbr\u003e\n애나에게 가하는 자극에 따라 탕웨이의 얼굴은\u003cbr\u003e\n'무표정'이란 카테고리 안에서 수많은 표정을 짓는다.\u003cbr\u003e\n함께 하루를 보낸 두 남녀가 이제 서로의 길을 가야\u003cbr\u003e\n할 때, 훈은 말한다. “웃어요. 난 당신이 웃는 얼굴이\u003cbr\u003e\n좋아요.” 김태용 감독의 연출은 관객도 훈만큼\u003cbr\u003e\n그녀의 얼굴에서 웃음이 드러나기를 간절히 바라게\u003cbr\u003e\n만든다.\u003cbr\u003e\n\u003cbr\u003e\n김태용 감독은 “대사의 전과 후, 사건의 전과 후 등\u003cbr\u003e\n영화적으로 볼 때는 죽어 있는 시간에 핵심이 있는 것\u003cbr\u003e\n같았다”고 말했다. 말하자면 \u0026lt;만추\u0026gt;는 관객이 원하고\u003cbr\u003e\n기다리는 만큼 보이는 영화다.\u003cbr\u003e\n애나는 분명 웃고, 놀라고, 멈칫하고, 슬퍼한다.\u003cbr\u003e\n\u003cbr\u003e\n탕웨이의 얼굴은 죽어 있는 영화의 시간을 살리고 있다.\u003cbr\u003e\n\u003cbr\u003e\n\u003cbr\u003e\n그녀가 미소 지은 순간\u003cbr\u003e\n\u003cbr\u003e\n이만희의 \u0026lt;만추\u0026gt;가 두 남녀의 짧고 애절한\u003cbr\u003e\n연애담이라면, 김태용의 \u0026lt;만추\u0026gt;는 한 여자가 버티는\u003cbr\u003e\n하루를 그리는 영화다.\u003cbr\u003e\n달리 말하면 애나의 감각이 다시 살아나기까지,\u003cbr\u003e\n그래서 무표정한 그녀의 얼굴에 새로운 표정이\u003cbr\u003e\n나타나기까지를 묘사한다.\u003cbr\u003e\n그래서 단 하루라는 시간이 야속한 원작과 달리\u003cbr\u003e\n애나와 훈의 만남에는 타이머가 돌아가지 않는다.\u003cbr\u003e\n영화는 사랑일 수도, 아닐 수도 있는 어떤 감정을 나눈\u003cbr\u003e\n두 남녀가 이제 어떻게 살아갈 것인지 조차 기대하지도\u003cbr\u003e\n않는다.\u003cbr\u003e\n애나의 얼굴을 집요하게 따라붙던 카메라가 드디어\u003cbr\u003e\n그녀의 미소를 포착한 순간, 한 여자의 멈춰진 시간이\u003cbr\u003e\n다시 흐르게 됐다는 확신만으로도 충만하기 때문이다.\u003cbr\u003e\n이들이 보낸 하루의 추억은 짧아서 아쉬운 게 아니라,\u003cbr\u003e\n그 자체로 주어진 선물이다.\u003cbr\u003e\n\u003cbr\u003e\n- 강병진 -\u003cbr\u003e\n\u003cbr\u003e\n\u003cbr\u003e\n\u003cbr\u003e[LP 구매 시 참고 사항 안내드립니다.]\u003cbr\u003e\u003cbr\u003e※ 재킷\/구성품\/포장 상태\u003cbr\u003e1) 명백한 재생 불량 외에 경미한 재킷 주름, 모서리 눌림, 갈라짐 등은 반품\/교환 대상이 아님을 양해 부탁드립니다.\u003cbr\u003e2) 속지(이너 슬러브)는 디스크와의 접촉으로 인해 갈라질 수도 있는데, 이는 반품\/교환 대상이 아닙니다.\u003cbr\u003e3) 디스크 라벨은 공정상 매끄럽게 부착되지 않을 수도 있습니다.\u003cbr\u003e4) 본품에 문제가 없는 겉포장 비닐의 손상은 교환\/반품 대상이 아닙니다.\u003cbr\u003e\u003cbr\u003e※ 재생 불량\u003cbr\u003e1) 톤암 혹은 무게 조절 기능이 없는 턴테이블을 사용하시는 경우, (주로 올인원 형태 모델) 다이내믹 사운드의 편차가 큰 트랙을 재생할 때 튀는 현상이 발생할 수 있는데 이는 대부분 가벼운 톤암 무게가 원인입니다.\u003cbr\u003e기기 문제로 인해 발생하는 재생 불량 현상에 대해서는 반품\/교환이 불가하니 톤암 조절이 가능한 기기에서 재생하실 것을 권유 드립니다.\u003cbr\u003e2) 디스크는 정전기와 먼지로 인해 재생이 원활하지 않은 경우가 있습니다. 전용 제품으로 이를 제거하면 대부분 해결됩니다.\u003cbr\u003e3) 바늘에 먼지가 쌓이는 경우에도 재생이 원활하지 않을 수 있습니다.\u003cbr\u003e\u003cbr\u003e※ 디스크 이상\u003cbr\u003e1) 디스크 표면이 울렁거리거나 휘어지는 경우가 있습니다. 재생에 이상이 있는 경우에만 반품이나 교환이 가능합니다.\u003cbr\u003e2) 재생 음역의 왜곡을 최소화하고 반복 재생 시에도 최대한 일관되게 유지되도록 디스크 센터 홀 구경이 작게 제작되는 경우가 있습니다. 턴테이블 스핀들에 맞지 않는 경우에는 전용 제품 등을 이용하여 센터 홀을 조정하시면 해결됩니다.\u003cbr\u003e3) 간혹 디스크에 미세한 잔흠집이 남아있거나 마감이 깨끗하지 않은 경우가 있습니다. 재생에 이상이 있는 경우에만 반품이나 교환이 가능합니다.\u003cbr\u003e\u003cbr\u003e※ 컬러 디스크\u003cbr\u003e1) 컬러 디스크는 웹 이미지와 실제 색상이 차이가 날 수 있습니다.\u003cbr\u003e2) 컬러 디스크의 특성상 제작 공정 시 앨범마다 색상 차이가 나는 경우도 있습니다.\u003cbr\u003e3) 컬러 디스크는 제작 과정에서 발생한 작은 점이나 다른 색상 염료가 섞여 들어갈 수 있습니다.\u003cbr\u003e\u003cbr\u003e※ 교환\/반품 안내\u003cbr\u003e1) 명백한 불량으로 인한 교환\/반품 요청 시에는 불량 내역을 확인할 수 있는 사진 및 동영상과 재생기기 모델명을 첨부하여 고객센터에 문의 바랍니다.\u003cbr\u003e2) LP는 잦은 배송 과정에서 재킷에 손상이 발생할 가능성이 높고 재판매가 어려우므로 오구매, 변심으로 인한 반품은 어렵습니다. 신중한 구매를 부탁드립니다.\u003cbr\u003e\u003cbr\u003e\n\n","brand":"록키발보아레코드","offers":[{"title":"Default Title","offer_id":48988417261823,"sku":"LATE_AUTUMN_ORIGINAL_SCORE_LP","price":38.45,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0247\/0871\/0485\/files\/ffd3ee30720f1ebe1213e68da6c770e368e14aa4239e2169612bb00b188a2572.jpg?v=1786419789","url":"https:\/\/www.kpopalbums.com\/products\/late-autumn-original-score-lp","provider":"kpopalbums.com","version":"1.0","type":"link"}